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That's what the tune is everything about." This makes use of an experience Hendrix had while still in New York, where he felt that a woman was trying to utilize voodoo to trap him and he ended up being ill. Shapiro thinks that this is shown in the majority of the very first two verses: Purple haze all around, do not understand if I'm coming up or down, Am I delighted or in torment, whatever it is that woman put a spell on me Many fans and the press analyze the tune as describing a psychedelic experience due to lines such as "purple haze all in my brain" and "'scuse me while I kiss the sky".

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Chandler, who declared he was present when Hendrix composed it, later rejected tips that Hendrix did so while under the influence of psychedelics. Talking about  purple review , Shadwick concludes "the music [was permitted] to tell the larger story. Poised effectively between the twin intoxicants of drugs and desire, they might be interpreted to the listener's taste".

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Composition [edit] Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for a few of Hendrix's innovative guitar playing". Beginning with its dissonant opening and heavy usage of distortion, Hendrix's strategies "all contributed to the unclean, raw, metallic, [and] angular sounds" heard in the tune, according to Shapiro.

Historically, this dissonant period has been described as diabolus in musica (actually "Devil in music"). It is sounded throughout the first two steps by Hendrix playing a B on guitar versus an E played by Redding on bass, followed by the particular octaves. Mitchell on drums comes in for the third measure, when Hendrix presents the riff that ignited Chandler's interest, and Redding continues playing the octaves in E.

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The E79, or dominant seventh sharp ninth chord, has become called the "Hendrix chord" by guitar players and was used primarily in rhythm and blues and jazz before Hendrix assisted popularize it. He likewise utilized a non-traditional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the roots of the G and A chords on the 6th string, his fingers were left in a position to create various chord voicings.